Dundas Valley School of Art
Timed Auction

Part 2 55th: Paintings, Drawings and Printmaking

Mon, Apr 6, 2026 10:00AM EDT - Sun, Apr 12, 2026 09:00AM EDT
  2026-04-06 10:00:00 2026-04-12 09:00:00 America/New_York Dundas Valley School of Art Dundas Valley School of Art : Part 2 55th: Paintings, Drawings and Printmaking https://auction.dvsa.ca/auctions/dundas-valley-school-of-art/part-2-55th-paintings-drawings-and-printmaking-22875
Part 2 of our Timed Online Auction featuring paintings, drawings, printmaking and mixed media. Bidding for this part of the Timed Auction will open April 6 and closes Sunday, April 12, one artwork every 30 seconds starting at 9:00 AM EDT.
Dundas Valley School of Art keiro@dvsa.ca
Lot 1617

INCENDIE À PORT AU PRINCE 1972 by Léon Bellefleur

Starting Bid
CAD$4,000
$2,919.71

Bid Increments

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Artist: Léon Bellefleur
Medium: Oil on Canvas
Dimensions: 26'' x 29'' 

 

The original painting has an excellent provenance, is signed by the artist and has an estimated value of $6,000 – $8,000.

 

For 25 years Léon Bellefleur was an elementary school teacher, developing his artwork during the summers and studying during the evenings at the école des Beaux-Arts in Montreal for several years. In 1954 he was able to retire and pursue his art career full-time.

 

Along with Albert Dumouchel, Jacques de Tonnancour, Louis Archambault and others, Bellefleur joined the Prisme d'Yeux led by Alfred Pellan, signing their manifesto in 1948 and exhibiting with the group. These artists were responding to the approach of the Quebec Automatistes, and called for freedom of expression. Through this association, Bellefleur became interested in the Surrealist preoccupation with the subconscious as a source of inspiration. Towards the end of the decade, he became interested in the work of Russian artist Wassily Kandinsky and the Spanish artist, Juan Miro.

 

After retiring, Bellefleur travelled to Europe and set up a studio in Paris, producing prints and etchings. He also experimented with painting techniques, working with a spatula, which provided cleaner definitions to outlines than a brush and created various dimensional effects. Bellefleur spent most of the next 10 years working and travelling in Europe, before returning to Quebec permanently in 1966. His career was boosted by a retrospective exhibition at the National Gallery of Canada in 1968. He continued to create lyrical and surrealist influenced painting, drawings, and prints through the 1980s. He also led the Prisme d'Yeux (1948), artists who were open to traditional expression and inspiration, and who were responding to the more radical ideological approach of the Automatistes.

 

Courtesy of National Gallery of Canada

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All proceeds from our auctions support school operations and DVSA’s groundbreaking hands-on art programs for participants of all ages and backgrounds.

Shipment can be arranged for purchasers outside the GHA upon request. Shipping fees are extra and to be paid by the purchaser. Shipping requests can be made to bid@dvsa.ca.

Some works may not be able to be shipped due to size, weight or fragility. We are unable to ship ceramic and glass works due to their fragile nature and the expense to package them securely for shipping.